Behold! The blue print for 80's new romantic synth pop!
In the 70's?!
Listening to this album is a real mind warp, it feels very 1980's yet it was made in the late 70's. Pre-Duran/Spandau, its hard to believe that Japan didnt rule the earth to the extent that Duran Duran or Spandau Ballet did. This is a real landmark album for Japan and pop music in general (although they were largely ignored throughout their lifespan). All the influences are very visible which is a very good thing. Lots of little Roxy music-isms, bowie-isms and kraftwerk-isms can be heard through out, made at a time where it would've seemed illogical to fuse the three.
Production is amazing and very (late 70's) Roxy Music, it wouldn't be hard to believe that the album producer also previously worked on Roxy Music's "Manifesto", certain instrumental tones sound identical to Manifesto, it also carries the same dark, suave mood.
David Sylvian provides the brooding lyrics (mostly about alienation and all that kind of jazz) and suave (Bryan Ferry like) croon, he is one stylish motherfucker. Stand out songs include the title track which is brilliant pop that is light years ahead of its time. Another would be their cover of The Velvet Undergrounds "All tomorrows parties", which not only fits perfectly in amongst the other songs on the album but is also one of the best Velvet covers ever. "In vogue" is very slick and dark, the melodic bass line is some what genius in its construction, it pretty much is the backbone for every Japan song.
After repeated listens you will accept this album as one whole piece of work. Its something I can listen to all the through and appreciate every song, as should you.
If its raining outside, or cloudless and grey, put this album on and be mesmerized.
Lots of love. Kiss kiss. Get out of my turnip patch!
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